Elder Brave by Lawrence W Lee (bio below)
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Image Size 25 x 31
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Paper Size 25 x 35
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Open Edition JWG Release
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Fine Art Reproduction on High Quality Art Paper
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Mint (pristine/new) Condition
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Unframed
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Purchased directly form the official publisher for whom we are authorized dealers.
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We "usually" ship with in 1-5 business days via First Class Mail, Priority Mail, Priority Mail International or UPS. However, "occasionally" we may need a bit more time. Please plan accordingly for gifting.
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We have several works by this artist in out eBay Store or yet to be listed. If you are looking for a particular image and do not find it, email me direct at [email protected] (Item will be listed on eBay).
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Lawrence W. Lee
Lawrence W. Lee was born in Ft. Smith, Arkansas in 1947 and now resides in Arizona. He received a BFA in 1969 and an MA in Art Education in 1970, both from Northern Arizona University. He has lived in Arizona since 1957 and also has a home in Belize.
He has been an educator, teaching fine art and art history, as well as philosophy. This combination can be seen in the pensive and wise faces of his subjects. Although he worked in various media and subject matter, he is known for his solitary and incredibly strong Indians, painted in vibrant acrylics that reflect the colors of the desert sunset. Lawrence's use of fetishes and swirling, turbulent clouds evoke a sense of magic and mystery. The unusually weathered and expressive faces give a hint of the spiritual strength and integrity of these ancient people.
Lee been the owner and president of the Cirrus Arts Corporation since 1979 and also owns four web businesses, including two featuring products from Belize. His children's book The Mirror, which he wrote and illustrated, was published in 1989 by Harbinger House and is now sold through one of Lee's websites.
He is a member of Friends of Western Art and the Society of Southwestern Authors and was chairman of the Congressional Fine Arts Competition Committee from 1986 to 1989. He is in the 23rd Edition of Who's Who in the West.
"I can create my own reality, populate the world with my own beings and stretch the imagination. My paintings are confrontational, not comfortable. They require viewer participation. You have to imagine what it might be out there that gives a character such a countenance. What is he responding to? What is the nature of the abyss into which he gazes?"
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