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Alexandre Hogue (1871-1954) "Moonlight" Ltd Ed 17/50 Litho Print Dallas Nine

Price: $2,495.00

   
Alexandre Hogue (1871-1954) "Moonlight" Ltd Ed 17/50 Litho Print Dallas Nine
   
 

Item Description
  • ArtistAlexandre Hogue (1871-1954)  (Kansas/Oklahoma)
    ItemLimited Edition Lithograph Print
    Pattern/Design"Moonlight"
    DescriptionFramed Limited Edition (17/50) Lithograph  Print 
    Signed and Dated  Lower Right.  Titled Lower Left.

    Hogue was active/lived in Oklahoma, Texas, Missouri and is known for Indian genre and modernist-leaning landscape painter, lithographs graphics.  Part of the group known as the Dallas Nine.

    From the Dallas Museum of Art

    DALLAS NINE

    "From 1928 to 1948, the art-life of Texas was dominated by the activities and accomplishments of a group of younger artists, collectively known as "The Nine," whose work fell within the broader 1930s stylistic category of Regionalism. Though centered in Dallas, these artists were recognized at a national level early in their careers, and, as a result, the formation of a "Texas School" was widely acknowledged by several important commentators. At the height of their activities, as many as twenty-five artists were involved as a loosely structured collective, with artists Jerry Bywaters, Otis Dozier, Charles Bowling, William Lester, Everett Spruce, and Alexandre Hogue forming the core of the Texas regionalist group. Additional artists associated with the group included Michael G. Owen, Allie V. Tennant, Dorothy Austin, Merritt T. Mauzey, Russell Vernon Hunter, Florence R. McClung, Thomas M. Stell, Jr., Harry Carnohan, John Douglass, Perry Nichols, Don Brown, and Lloyd Goff.

    The "Dallas Nine" drew inspiration from diverse sources, including indigenous Native American design, Italian quattrocento painting, and French surrealist theory, as well as from contemporary art. Their work is characterized by an individual stylistic approach to subject matter that reflected a regional interpretation and often incorporated religious iconography.

    The work of the "Dallas Nine" was prominent in the large exhibition of art at the Texas Centennial Exposition of 1936 and was featured in a special issue of Art Digest. By that time, several of the artists had developed into articulate spokesmen for their cause. When their work was exhibited at the Golden Gate Exposition in San Francisco in 1939 and at the New York Worlds Fair the same year, many writers felt that Texas was one of the most vigorous and promising new regions in American art."



    Some info about the artist from Askart

    "A painter, printmaker, and muralist known for his Dust Bowl series and early 20th-century depictions of Indian life in Taos, New Mexico, Alexander Hogue worked in a style that was abstract and realistic.  In Taos, where he first arrived in 1926,  he was especially interested in the pueblo Indians spiritual lives and relationship to the land.  From 1945, he held an art faculty position at The University of Tulsa in Oklahoma, having taught earlier at Texas State College for Women in Denton, and the Hockaday School for Girls in Dallas.

    His formal art education was at the College of Art and Design in Minneapolis, and he was a student of Texas artist Frank Reaugh.  In 1921, he moved to New York City where he lived for four years, but he frequently returned to Texas to paint in the summers as well as making numerous trips to Taos.  He was also an illustrator and cartoonist for the Dallas Times-Herald, and in Texas did black and white lithographs of the oil fields.  In Dallas, he lived at 912 Moreland Street.

    Exhibitions:
    Art Museum of South Texas, Corpus Christi Jan 14-April 3, 2011
    Grace Museum Abilene Texas  May 5- August 20, 2011
    Fort Worth Museum of Science and History  September 16 - November 30, 2011

    Museum Collections:
    Musee National D'Art Moderen Pompidou Center Paris: Oil in the Sandhills, 1949
    Smithsonian American Art Museum, Washington D.C.: Young Girl in Purple, 1930; Dust Bowl, 1933
    Dallas Museum of Art: Drought Stricken Area 1934
    Museum of Fine Arts Houston: Squaw Creek, 1927
    Harry Ranson Center University of Texas at Austin: The Church at Rancho de Taos, 1926
    Art Museum of South Texas: Irrigation-Taos, 1931



    Color
    OriginUSA
    Age(Actual Age Unknown)  Dated 1934
    MeasurementsImage  12 1/4" x 9 7/8"
    Frame 15 3/8" x 13"
    Weighs just over 2.2  lbs (Prior to Packaging)
    Pictures Please scroll down to view all of the pictures


    ConditionVery Good Condition.  Minimal, age appropriate,  indication of wear.

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